Blog Posts

Best iMac for Photographers

Apple finally answered my calls for a new iMac. I just returned for Apple's iPad mini event where they announced two new beautifully designed, wafer thin iMacs. I spent some quality time with the new 27 inch iMac and I'll share my thoughts below. 

First it's important for me to tell you about my current set up. My 2009 iMac is long in the tooth. It's a core i5 27 inch iMac. All of my media is backed up to an original 4 bay Drobo over FireWire. The computer is fast enough when browsing the web but trying to access my photos on my Drobo is just painfully slow. For instance, importing 70 raw photos to Lightroom is so slow that I can start the process and go eat dinner. 

I spent a bunch of time talking to Apple engineers about the best set up for photographers and here's what I walked away with: Get the 27 inch iMac and spring for the for the 1GB graphics card instead of the base 512MB. With future versions of Photoshop you're going to want that additional graphics power. 

Avoid the Fusion Drive. Apple describes it this way:

It combines 128GB of flash with a standard 1TB or 3TB hard drive to create a single storage volume that intelligently manages files to optimize read and write performance. Fusion Drive adapts to the way you use your iMac and automatically moves the files and apps you use most often to flash storage to enable faster performance and quicker access.

That's great but it doesn't make sense for professional photographers. The fastest possible set up is to stick with a pure SSD configuration and run a Drobo via Thunderbolt or USB 3.0 to house your photos (I'll explain more about the Drobo in a second). Apple confirmed that this is the fastest way to go. The base level is 128GB and is expandable up to 768GB. Really you just want enough space to run the OS and the apps you'll need. I will probably bump it up to 356GB of flash, that'll give it enough breathing room to run some of the big apps.

The new Drobo's are out and they are fantastic. I'm getting the Drobo 5D. It's blazing fast now with Thunderbolt and USB 3.0. They house up to 5 regular spinning hard drives or SSD's. I have a bunch of 3 TB drives that I'm going to put inside. With Thunderbolt connection I don't see the need to have SSD's in the Drobo just yet. You might feel differently if you're working with a lot of video. Once the cost drops a bit I might spring for them. For now I'm sticking with the old spinning drives. Drobo works by keeping your data spread across multiple drives so if one drive fails you don't have to worry about it. Simply swap out the drive with a new one and you're good to go.

Another bonus is the screen. While it's not Retina, the new iMac screen is 75% less reflective because the pixels lay just under the glass like the iPhone and Retina iPad.

The 21 inch iMacs came out in November and the 27 inch model shipped in December. I think with the new 27 inch iMacs Apple is saying forget about the Mac Pro.

Photo of the Day: Concannon Winery

After escaping the hurricane damage in New Jersey my wife and I retreated to our in-laws' house in California. I woke up early because of jet lag to shoot some photos at sunrise at a local winery. I didn't get many great shots but I was happy with this one.

The problem I had was with the landscape. Sure the sunrise was great but the landscape was flat and boring. There were trucks, houses, and power lines in the way. So I decided the best option was to get really low to the ground and shoot directly into the sunlight.

Here I shot seven exposures about 6 inches off the ground. The house in the background is used for theater but not much else. It sits on the winery grounds and is owned, I later learned, by John Madden. You can see the front steps in the shot.

Concannon Winery, Livermore CA

Photo of the Day: Halloween

My wife used the sewing machine for the first time and sewed a Catwoman tail on our baby girl's black unitard. We had to flee from our house to my folks' house because of Hurricane Sandy so she forgot the cat ears.

I took this using a Nikon D800 as the sun was setting. The ISO was a bit high because of the lower light but I'm happy with it.

My two favorite ladies.

My two ladies.

Photo of the Day

I passed a small field at the base of this beautiful mountain range in Fussen, Germany. It was nearly sunset and I ran down this private road with  my Sony NEX-7. This was the first trip I took where I made a point of shooting thoughtful photography. I used this trip as a bit of a photo bootcamp... learning and trying as I went along. I realize now that I should have increased my shutter speed so I wouldn't have gotten these ghosting issues. 

A field in Füssen, Germany

Photo of the Day

We stayed on a beautiful lake near Fussen, Germany in early Fall of 2012. After we arrived at the hotel I ran down to the lake and shot a few bracketed photos (3 photos with different exposures). It was mid-day so I didn't really think these would turn out. But I ended up being fairly happy with it.

This was my first real attempt at shooting with HDR in mind. There's more ghosting than I'd like, but live and learn.

The next morning I regrouped and snapped a series of photos in the early morning hours as the sun was coming up. I'll share those a bit later. 

Füssen, Germany

A Photoshop Layers Breakthrough

I had a breakthrough tonight that I just had to share.

few weeks ago I took the plunge and downloaded Photoshop. I'd never used it before. It is overwhelming. But I felt like it's was an essential part of any serious photographer's workflow so I needed to learn it. To fix ghosting in some of my amateur HDR photography I had to passably master Layers. 

Layers, for those of you that don't know, and that included me a few weeks ago, is a great tool in Photoshop that allows you to pull in multiple photos and use component parts of different exposures. For instance you might want to lighten the sky using the sky from a brighter exposure. 

had the hardest time trying to figure out which 'layer' I was working with and which 'layer' I was attempting to pull in. I was ready to throw my computer through the wall when I had a breakthrough. I finally realized that the main layer was, of course, sitting on top but the layer I was pulling in is simply one below the top layer. It's that simple and no amount of searching on Google helped me figure that out.